Tuesday, 16 November 2010

Seven - Analysis Notes

Narrative Structure
·         Follows generic thriller storyline
·         Theory of equilibrium
·         Non linear
·         Audience immediately faced with questions
Thriller Codes and Conventions
·         Question and Answer model – Who are they? What are they doing and why?
·         Concealment – Face is hidden
·         Transformed City
·         Protraction – Partial vision
Camerawork
·         Sequence – Close up / extreme close ups
·         Slow zooms
·         Short shots
·         Various angles
Mise-En-Scene
·         Low key lighting
·         Black and white
·         Red slides/ wash
·         Person creating book
·         Person stitching
·         Person deleting words from book
Sound
·         Diagetic – Dialogue, metronome, tv, radio
·         Non Diagetic – Suspense building music.
Editing
·         Fast paced – typical of Thriller
·         Beat match – Match actions to music/sound effects
·         Collage
·         Double vision – Camera shakes
Graphics
·         Text – Some look handwritten/ stamped/ sketchy
·         Printed
·         Flashing – Confusion
·         Text in white

Friday, 5 November 2010

What is a Thriller? Notes

                       


What is a Thriller?
   A broad genre of television, literature, or film that involves suspense, tension, excitement and mystery to appeal to an audience.
Sub-genres of Thrillers:
·         Psychological  - Donnie Darko (2001)
·         Crime – Seven (1995)
·         Supernatural- Carrie (1976)
·         Action- Silence of the Lambs (1991)
·         Medical-
·         Erotic-Eyes Wide Shut (1999)
·         Horror-The Exorcist (1973)
·         Political-The Contender (2000)
·         Religious- The Da Vinci Code (2006)
·         Disaster- The Day After Tomorrow (2004)
·         Legal – A Time To Kill (1996)


Martin Rubin – ‘Thrillers’ (1999)

·         C K Chesterton – The Transformed City
·         British author
·         Modern genre set mainly in urban environments
·         ‘poetry in modern life’
·         Transforms the ordinary into the extraordinary

Northrop Frye – The Heroic Romance
·         Hero is almost always an ordinary person
·         Ordinary person is forced to behave in extraordinary ways because of his situation
·         “Moves the world in which ordinary laws of nature are suspended slightly”
·         Enchanted forest – Modern city
John Cawelti – The Exotic
Modern city – enchantment and mystery                            
·        
·         Intro of the familiar
·         Location
·         Artefacts/objects /props from the middle East/Orient
W H Matthews – Mazes and Labyrinths
·         Origins- Greek mythology
·         Hero often finds themselves in an extraordinary situation
·         Faced with mazes full of dead ends and twists in order to reach the villain
·         Audience are presented with hero’s puzzles and problem solving
Pascal Bonitzer – Partial Vision
·         Audience only see so much
·         Elements hidden to create suspense for the viewer
·         Blind spots leave unanswered questions for the audience
·         ‘What we don’t see is just as important as what we do see’
·         Character is placed in an ‘unlimited prison’
Lars Ole Saurberg – Concealment and Protraction
·         Suspense works in 2 ways to pull the audience in different directions:
·         Concealment – Hiding something from the audience
·         Protraction – Deliberate delaying of a suspected outcome ie. A bomb explosion/a planned killing
Noel Carroll- The Questions-Answer Model
·         Audience are presented with questions that they wait in suspense for the answer ie. Will the hero die?/ Who is the killer?
1.       Probability factor – A ‘sure thing’ is less exciting than the battle against the odds.
2.       Moral factor – Morally right outcome increases involvement
·         Maintains focus and interest